{"id":9820,"date":"2023-04-05T09:44:27","date_gmt":"2023-04-05T06:44:27","guid":{"rendered":"https:\/\/avan.fi\/?p=9820"},"modified":"2023-04-17T12:43:48","modified_gmt":"2023-04-17T09:43:48","slug":"rauha-makila-momo-pressmeddelande","status":"publish","type":"post","link":"https:\/\/avan.fi\/sv\/rauha-makila-momo-pressmeddelande","title":{"rendered":"Rauha M\u00e4kil\u00e4: Momo"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”5%” bottom_padding=”3%” constrain_group_2=”yes” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Rauha M\u00e4kil\u00e4: Momo 21.4.-17.9.2023″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”8%” constrain_group_2=”yes” right_padding_desktop=”8%” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Pressmeddelande 5.4.2023<\/strong><\/p>\n

Rauha M\u00e4kil\u00e4: Momo<\/em><\/strong>
\n21.4.-17.9.2023<\/strong>
\nArs Nova, andra v\u00e5ningen<\/strong><\/p>\n

Den helsingforsiska bildkonstn\u00e4ren Rauha M\u00e4kil\u00e4<\/strong> (f. 1980) beskriver sitt eget liv. Hennes verk \u00e4r livsk\u00e4nsliga men samtidigt magiska \u00f6gonblicksbilder av vardagen, familjen och n\u00e4rkretsen. M\u00e5lningarna f\u00f6rmedlar en intim st\u00e4mning mellan konstn\u00e4ren och motiven \u2013 livet som levts och dess olika sidor, motstridiga k\u00e4nslor och faser som \u00e4r l\u00e4nkade till varandra. M\u00e4kil\u00e4s m\u00e5lningar visar oftast m\u00e4nniskor: i bilderna av ansikten och av olika sorters milj\u00f6portr\u00e4tt har sparats blixtegenartade snabbt f\u00f6rbiilande \u00f6gonblick.<\/p>\n

M\u00e4kil\u00e4 ber\u00e4ttar: \u201dMin egen vardag och verklighet hj\u00e4lper oftast oss att spegla v\u00e5ra k\u00e4nslor och hur vi gestaltar v\u00e5r v\u00e4rld. Vardagens sj\u00e4lvklara f\u00f6rtrollning och \u00e4rlighet orkar fortfarande intressera mig och jag vill inte p\u00e5 arbetsrummet \u00e4nnu sl\u00e4ppa dessa motiv.\u201d <\/em><\/p>\n

Oftast behandlar M\u00e4kil\u00e4 i sina m\u00e5lningar en konstn\u00e4rsidentitet och konstv\u00e4rlden. Hon beskriver sig sj\u00e4lv och en sorts kvinnliga konstn\u00e4rer skapande sina egna bilder vid sitt arbete och \u00e5 andra sidan ocks\u00e5 sj\u00e4lvportr\u00e4tt. M\u00e4kil\u00e4s sj\u00e4lvportr\u00e4tt i vilket hon m\u00e5lar i sitt arbetsrum s\u00e5som It is What it is<\/em> (2020) och Nice Try<\/em> (2020) drar paralleller till ett tidigare portr\u00e4tt av en kvinnlig konstn\u00e4r 1930 (Tamara de Lempicka<\/em>). M\u00e5lningarna f\u00f6rest\u00e4ller aktiva akt\u00f6rer. I verken finns emancipatoriska krafter \u2013 fortfarande har vi inte tillr\u00e4ckligt av s\u00e5dana h\u00e4r bilder.<\/p>\n

Motiven i verken eller situationer p\u00e5minner om kamerans eller minnets sparade \u00f6gonblick som man sedan m\u00e5lat med k\u00e4rlek i arbetsrummet. Verken har en st\u00e4mning av nutidskonstmusik och popul\u00e4rkultur i bakgrunden som f\u00f6r arbetet varit en inspiration.\u00a0 Konst, konstmuseerna och konstens v\u00e4rld finns n\u00e4rvarande som en ram, ett livsvillkor.<\/p>\n

De verk som blivit f\u00e4rdiga under \u00e5ren 2020\u20132022 placerar sig oftast i ett utrymme. F\u00f6rutom arbetsrumsbilderna har motiven f\u00f6r m\u00e5lningarna blivit konstens fasad: museerna och gallerierna, s\u00e5som till exempel i verken Suzu II<\/em> (2022) och Venice (Anna<\/em>) (2020).<\/p>\n

\u00c4ven fast det i m\u00e5lningarna s\u00e5 sm\u00e5ningom har \u00f6ppnat sig helt nya slags rumsliga kompositioner \u00e4r f\u00e4rgerna oaktat det viktigaste f\u00f6r M\u00e4kil\u00e4. M\u00e4kil\u00e4 beskriver m\u00e5lningens utveckling och hans egen f\u00e4rgv\u00e4rld: \u201dUtg\u00e5ngspunkten i verken \u00e4r f\u00e4rgen och det hur vissa f\u00e4rger kan st\u00f6da varandra och bygga upp sp\u00e4nningar p\u00e5 m\u00e5lningsduken. Jag pr\u00f6var p\u00e5 hur man av f\u00e4rger f\u00e5r byggt upp en intressant helhet och vad som h\u00e4nder n\u00e4r jag h\u00e4mtar in nya f\u00e4rger till en egen, bekant och trygg skala.\u201d<\/em><\/p>\n

Alldeles under de senaste \u00e5ren har katterna, v\u00e5ra livskumpaner ocks\u00e5 f\u00e5tt den betydelse som de f\u00f6rtj\u00e4nar genom att placera dem som m\u00e5l i m\u00e5lningen. I utst\u00e4llningens nyaste m\u00e5lningar Momo <\/em>(2023) och TarMo<\/em> (2023), \u00e4r vi m\u00e5l f\u00f6r katternas granskning: de ser alltid p\u00e5 oss med ett get\u00f6ga.<\/p>\n

M\u00e4kil\u00e4s f\u00e4rgpalett \u00e4r alltid f\u00f6ruts\u00e4ttningsl\u00f6st fr\u00e4sch och m\u00e5lningens komposition \u00e4r sj\u00e4lvs\u00e4kert. M\u00e4kil\u00e4 anv\u00e4nder i huvudsak f\u00e4rgm\u00e4ttade akrylm\u00e5lf\u00e4rger, emellan\u00e5t ocks\u00e5 mer jordn\u00e4ra oljef\u00e4rger. M\u00e5lningarnas f\u00e4rgytor \u00e4r en kombination av dj\u00e4rva m\u00e5lade platta f\u00e4rgf\u00e4lt, tjocka konturer som definierar utrymmet, avrinningar och penseldrag. M\u00e5lningens huvudmotiv f\u00f6r det mesta en person har m\u00e5lats p\u00e5 ett k\u00e4nsligt s\u00e4tt och detaljerna inneh\u00e5ller mer transparenta texturer.<\/p>\n

P\u00e5 andra v\u00e5ningens utst\u00e4llningsutrymme p\u00e5 Ars Nova kan vi se en bred \u00f6verblick av konstn\u00e4rens produktion. H\u00e4r presenteras m\u00e5lningar fr\u00e5n \u00e5ren 2013\u20132023. Utst\u00e4llningen \u00e4r konstn\u00e4rens f\u00f6rsta soloutst\u00e4llning i ett museum och den erbjuder ocks\u00e5 f\u00f6r f\u00f6rsta g\u00e5ngen en m\u00f6jlighet f\u00f6r att bekanta sig med M\u00e4kil\u00e4s m\u00e5lningar fr\u00e5n olika \u00e5r och se hur hon har f\u00f6r\u00e4ndrats som konstn\u00e4r.<\/p>\n

M\u00e4kil\u00e4 blev f\u00e4rdig fr\u00e5n Bildkonstakademin \u00e5r 2007. Hennes senaste separatutst\u00e4llningar har varit DEAR<\/em> (2002), Ring a Ring O\u2019Roses<\/em> (2008) och Harmony<\/em> (2015) p\u00e5 galleriet Helsinki Contemporary. M\u00e4kil\u00e4s verk har varit utst\u00e4llt i Finland och internationellt bl.a. p\u00e5 Munch Gallery (New York, USA), Kemper Museum of Contemporary Art (Kansas City, USA), EMMA \u2013 Esbo museum f\u00f6r modern konst, Galleri Thomassen (G\u00f6teborg, Sverige) och Landskorna Museum (Landskrona, Sverige).\u00a0 Hennes m\u00e5lningar h\u00f6r bland annat till f\u00f6ljande samlingar: Kiasma \u2013 Nationalgalleriet samling, HAM \u2013 Helsingfors stads konstsamling, G\u00f6teborgs stads konstsamling, Saastamoinen stiftelses konstsamling, Jenny och Antti Wihuris fonds konstsamling och Niemist\u00f6-samlingen. Utst\u00e4llningen har st\u00f6tts av Finska Kulturfonden (Anna och S. Pajarinens fond), Centret f\u00f6r konstfr\u00e4mjande och Museiverket.<\/p>\n

 <\/p>\n

Till\u00e4ggsinformation:<\/strong><\/p>\n

Niina Tanskanen
\nutst\u00e4llningsamanuens
\n040\u00a0585 4499
\nniina.tanskanen@avan.fi<\/a><\/p>\n

Rauha M\u00e4kil\u00e4
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