{"id":13640,"date":"2025-09-26T09:02:31","date_gmt":"2025-09-26T06:02:31","guid":{"rendered":"https:\/\/avan.fi\/?p=13640"},"modified":"2025-09-26T09:02:31","modified_gmt":"2025-09-26T06:02:31","slug":"umppa-niinivaara-grottan","status":"publish","type":"post","link":"https:\/\/avan.fi\/sv\/umppa-niinivaara-grottan","title":{"rendered":"Umppa Niinivaara: Grottan"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”5%” bottom_padding=”3%” constrain_group_2=”yes” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Umppa Niinivaara: Grottan 10.10.2025\u201322.3.2026″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=””][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”8%” constrain_group_2=”yes” right_padding_desktop=”8%” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]26.9.2025<\/strong><\/p>\n

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Umppa Niinivaara: Grottan
\n<\/em>10.10.2025\u201322.3.2026
\nArs Nova, 1. v\u00e5ningen<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

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I Umppa Niinivaaras soloutst\u00e4llning Grottan<\/em> dyker vi ner under ytan och utforskar skulpturens m\u00e5ngsensoriska och unika dimensioner. En stark naturupplevelse verkar bakom den materialn\u00e4ra estetiken. <\/strong><\/p>\n

Under de senaste \u00e5ren har keramik blivit Niinivaras mest centrala konstform. Tr\u00e4 och polyuretan formas ocks\u00e5 i hennes h\u00e4nder till verk som skapar sin egen stilrena v\u00e4rld.<\/p>\n

Som konstform \u00e4r keramiken sensorisk: leran formas f\u00f6r hand och kroppsliga gester f\u00f6rs \u00f6ver till materialet. Niinivaara arbetar genom handbyggande, gjutning och pressformar. Bearbetning av lera \u00e4r ett arbete som samtidigt \u00e4r rigor\u00f6st och k\u00e4nsligt samt d\u00e4r teknik f\u00f6renas med intuitiv formgivning.<\/p>\n

En fri inst\u00e4llning till skulpturkonstens tekniker \u00e4r typiskt f\u00f6r Niinivaaras verk. Ibland v\u00e4ljer hon en traditionell metod, s\u00e5som japansk rakukeramik, som teknik. I rakukeramiken anv\u00e4nds v\u00e4rmechocker och r\u00f6k f\u00f6r att skapa ytm\u00f6nster och f\u00e4rger som inte kan reproduceras. \u00c5 andra sidan kan verk ocks\u00e5 skapas till exempel med ytbehandlingsmedel och polyuretan. Verkens teknik ber\u00e4ttigar egentligen inte deras v\u00e4sen utan betj\u00e4nar snarare Niinivaaras estetik.<\/p>\n

Keramikens uttryckskraft ligger i dess hapticitet: materialk\u00e4nslan lockar till att k\u00e4nna. Upplevelsen \u00f6verskrider gr\u00e4nserna f\u00f6r tittande och blandas med andra sinnen.<\/p>\n

Sp\u00e5r av k\u00e4nslotillst\u00e5nd och sinnesr\u00f6relser f\u00f6rs \u00f6ver p\u00e5 verket n\u00e4r materialet formas. Niinivaaras organiska, tidl\u00f6sa former innefattar en hel del ro och s\u00e4llhet. Likas\u00e5 \u00e4r deras skuggsida, intensiv r\u00e4dsla och r\u00e4dslol\u00f6shet, till och med f\u00f6rt\u00e4tad aggression och skr\u00e4ck, n\u00e4rvarande i verken.<\/p>\n

Niinivaaras verk \u00e4r framsprungna ur vyer fr\u00e5n or\u00f6rd natur och undervattenslandskap. Grottan syftar till en plats som \u00e4r separerad fr\u00e5n den omgivande v\u00e4rlden och tiden, och som f\u00f6rknippas med en stark k\u00e4nsloupplevelse. Med en grotta, ett inre rum i jorden, finns det n\u00e5got evigt, hemligt, heligt och farligt.<\/p>\n

Grottan \u00e4r en metafor f\u00f6r det omedvetna och undermedvetandet. I antikens filosofi var grottan endast en illusion av verkligheten, en v\u00e4rld av skuggor. Mystiker och hermiter drog sig undan till grottor f\u00f6r att meditera och f\u00f6rdjupa kontakten med det heliga. I den psykoanalytiska referensramen \u00e4r grottan en arketyp f\u00f6r en inre resa eller transformation.<\/p>\n

Precis som d\u00e5 skulpturerna utformades f\u00e5r bes\u00f6karen p\u00e5 utst\u00e4llningen m\u00f6ta sig sj\u00e4lv i skulpturerna som st\u00e5r utspridda i rummet. Bes\u00f6karen blir delaktig: vi bringar v\u00e5r egen v\u00e4rld med oss \u00f6verallt dit vi g\u00e5r. Vad finns i din grotta?<\/p>\n

The cave you fear to enter holds the treasure you seek. \u2013 Joseph Campbell<\/em><\/p>\n

Umppa Niinivaara bor och arbetar i Karuna i Sagu. Hon tog bildkonstn\u00e4rsexamen vid \u00c5bo ritskola \u00e5r 1997 och konstmagistersexamen vid Winchester School of Art (Storbritannien) \u00e5r 2009. Hennes verk ing\u00e5r i bland annat Saastamoinen stiftelsens, \u00c5bo stads, \u00c5bo konstmuseums och statens konstsamlingar.<\/p>\n

Niinivaaras senaste soloutst\u00e4llning Varjojen maa (Shadowland)<\/em> h\u00f6lls i Galleria Sculptor \u00e5r 2024.\u00a0 \u00c5r 2022 s\u00e5gs hennes skulpturhelhet i flera delar Anemoniamania<\/em> i \u00c5bo konstmuseum. Under de senaste \u00e5ren har verken varit del av m\u00e5nga grupputst\u00e4llningar, varav den senaste var utst\u00e4llningen Kohtaus<\/em> tillsammans med Marjatta Holma i M\u00e5ll-galleriet i Karis.<\/p>\n

Finska Kulturfonden har st\u00f6tt konstn\u00e4rens arbete. Utst\u00e4llningen har f\u00e5tt st\u00f6d av Museiverket.<\/p>\n

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Till\u00e4ggsinformation<\/strong><\/p>\n

Niina Tanskanen
\nutst\u00e4llningsamanuens
\nniina.tanskanen@avan.fi<\/a>
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