{"id":13623,"date":"2025-09-25T11:15:49","date_gmt":"2025-09-25T08:15:49","guid":{"rendered":"https:\/\/avan.fi\/?p=13623"},"modified":"2025-09-25T11:16:14","modified_gmt":"2025-09-25T08:16:14","slug":"matti-rag-paananen","status":"publish","type":"post","link":"https:\/\/avan.fi\/sv\/matti-rag-paananen","title":{"rendered":"Matti Rag Paananen"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”5%” bottom_padding=”3%” constrain_group_2=”yes” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Matti Rag Paananen 10.10.2025\u201322.3.2026″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=””][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”8%” constrain_group_2=”yes” right_padding_desktop=”8%” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]25.9.2025<\/strong><\/p>\n

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Matti Rag Paananen
\n<\/em>10.10.2025\u201322.3.2026
\nArs Nova, 2. v\u00e5ningen<\/strong><\/p>\n

 <\/p>\n

Den Stora Konsten<\/em> var en drivfj\u00e4der som fick Paananen att skapa m\u00e5ngdisciplin\u00e4rt och f\u00f6rdomsfritt. Han var komposit\u00f6r, arrang\u00f6r, pianist, poet och konstm\u00e5lare. Utst\u00e4llningen \u00e4r Paananens museidebut.<\/strong><\/p>\n

Jag hade hoppats f\u00e5 se gryningen av min konst. Nu, i min kists natt, finner jag ingen str\u00f6mbrytare.
\n<\/em>Men kanske n\u00e5gon en dag t\u00e4nder ljuset i min konst och f\u00f6rvandlar min kista till ett palats. <\/em>\u2013 Matti Rag Paananen<\/em><\/p>\n

M\u00e5la tavlan snabbt. Livet \u00e4r kort. \u2013 Matti Rag Paananen<\/em><\/p>\n

F\u00f6rv\u00e5nansv\u00e4rt produktiva konstgeniet Matti Rag Paananen<\/strong>\u00a0(1939\u20132022) b\u00f6rjade m\u00e5la \u00e5r 1979. Hans bildkonstn\u00e4rliga produktion omfattar cirka 700 m\u00e5lningar.<\/p>\n

Merparten av Paananens m\u00e5lningar finns fortfarande i Ragala, Paananens hem i Hirvensalo i \u00c5bo, d\u00e4r han bodde st\u00f6rre delen av sitt liv. G\u00e5rden \u00e4r i sig ett allkonstverk och vaggan f\u00f6r hans konst.<\/p>\n

Paananen var sj\u00e4lvl\u00e4rd bildkonstn\u00e4r och k\u00e4ndes igen av sin s\u00e4rpr\u00e4glade stil. Man kommer ih\u00e5g honom som en excentriker med en livlig fantasi och stark arbetsetik. Paananen var mycket v\u00e4l invigd i v\u00e4sterl\u00e4ndsk m\u00e5larkonst och beundrade s\u00e4rskilt den tidiga parisiska modernismen (Picasso, Monet, Toulouse-Lautrec och van Gogh).<\/p>\n

Gemensamt f\u00f6r n\u00e4stan alla hans m\u00e5lningar \u00e4r \u00e5teranv\u00e4nda dekorativa ramar. Han m\u00e5lade med akrylf\u00e4rger p\u00e5 tr\u00e4fiberskivor gjorda i ramarnas m\u00e5tt. I verk av reliefkarakt\u00e4r anv\u00e4nde han formbar akrylmassa. Ofta lade han till olika sorters slipade stenar, glasp\u00e4rlor, sedlar och mynt, frim\u00e4rken eller textsnuttar till verken.<\/p>\n

Motivet f\u00f6r m\u00e5lningarna \u00e4r sprungna ur musik, resor och aktuella nyhets\u00e4mnen. Han gjorde sina mest abstrakta m\u00e5lningar om jazz, och m\u00e5nga m\u00e5lningar inneh\u00e5ller notskrift, konstn\u00e4rens prat. Kompositioner och dikter blev ofta ocks\u00e5 m\u00e5lningar.<\/p>\n

Resorna som Paananen gjorde till \u00d6stafrika (1990, 1991 och 1996), Sydamerika (1987 och 2005), Grenada (1994\u20131995) och Paris (1999, 2004, 2006 och 2007) var stora inspirationsk\u00e4llor f\u00f6r hans konst. N\u00e4r Paananen bodde p\u00e5 Masaifolkets marker i Kenyas och Tanzaniens omr\u00e5de m\u00e5lade han en hel del m\u00e5lningar i resestorlek och skrev dikter. I Amazons regnskogar komponerade han en symfoni som senare fick s\u00e4llskap av landskapsm\u00e5lningar.<\/p>\n

M\u00e5lningar med Paris som motiv, av vilka det finns n\u00e4stan ett hundratal, utg\u00f6r en stor helhet i Paananens produktion. I dem skildras \u00f6ppna platser i Paris och dess mest ber\u00f6mda byggnader. Av Notre Dame-katedralen och basilikan Sacr\u00e9-C\u0153ur finns det flera varianter, vars stil blir gradvis expressivare.<\/p>\n

Paananen m\u00e5lade \u00e4ven ett stort antal sj\u00e4lvpotr\u00e4tt: en del var portr\u00e4tt i olika storlekar av honom sj\u00e4lv, vars stil varierade fr\u00e5n naturalism till naivism och helgonbilder. Paananen har placerat sig sj\u00e4lv i m\u00e5nga milj\u00f6portr\u00e4tt som skildrar Paris \u2013 stundom i tiotal, i flera personer.<\/p>\n

Motiven i m\u00e5lningarna fr\u00e5n Paananens sista \u00e5r h\u00e4rr\u00f6r sig fr\u00e5n v\u00e4rldsh\u00e4ndelser och nyhetsrubriker. \u00c4nnu p\u00e5 2020-talet, under hans sista levnads\u00e5r, skildrade Paananen Covid-19-pandemin, Rysslands anfall i Ukraina och branden i Notre Dame-katedralen.<\/p>\n

Matti Rag Paananen (1939\u20132022) \u00e4r en multidisciplin\u00e4r konstn\u00e4r: musiker, tons\u00e4ttare, poet och bildkonstn\u00e4r.<\/p>\n

Sin musikerkarri\u00e4r inledde han som restaurangpianist p\u00e5 1960-talet. Som jazzpianist samarbetade han med flera k\u00e4nda artister, s\u00e5som Paroni Paakkunainen, Ilja Saastamoinen och Vesa-Matti Loiri. Hans andra officiella namn var Rag, eftersom han \u00e4lskade ragtime-musik och Scott Joplin \u00e4nda sedan han var ung.<\/p>\n

Paananen komponerade sju symfonier och flera tiotals albumhelheter. Hans huvudverk \u00e4r Tuhannen ja yhden y\u00f6n laulut <\/em>(S\u00e5nger om Tusen och en natt) (1977\u20131993) som best\u00e5r av 1\u00a0001 delar. Han blev ocks\u00e5 upptagen i Guinness rekordbok f\u00f6r att ha komponerat v\u00e4rldens l\u00e4ngsta verkshelhet. Verket Vuoden p\u00e4iv\u00e4t<\/em> (Dagar i ett \u00e5r) (1964\u20131970) best\u00e5r av 366 delar och tar 42 minuter att framf\u00f6ra p\u00e5 piano. Andra betydande verk \u00e4r bland annat Horoscope<\/em> (1972) och Amazon<\/em> (1989).<\/p>\n

Som poet har Paananen skrivit aforismsamlingen i 10 delar Taide ja nerous<\/em> (Konst och genialitet) (2010\u20132015) med 3\u00a0000 sidor insiktsfulla tankar om konst. Sina tankar om konst har han dessutom skrivit i verket Taiteen k\u00e4sikirja eli Varjojen loisteessa <\/em>(Handboken f\u00f6r konst eller i skuggornas sken) (1996) samt publicerat tv\u00e5 diktverk. Prinsessan testamentti<\/em> (Prinsessans testamente) (1988) \u00e4r ett musik- och diktverk om lidandet bland offren f\u00f6r narkotika samt f\u00f6rlust. Savanni \u2013 runollinen kertomus It\u00e4-Afrikasta <\/em>(Savannen \u2013 en poetisk ber\u00e4ttelse om \u00d6stafrika) (2008) samlar hans reseupplevelser f\u00f6renade med poesi och fotografier. Ut\u00f6ver dessa har Paananen gett ut noth\u00e4ften och skapat musik f\u00f6r filmer och dokument\u00e4rer.<\/p>\n

Paananen fick \u00c5bo stads konstpris \u00e5r 1985 och konstn\u00e4rspension av staten \u00e5r 2009.<\/p>\n

Paananens bildkonst har st\u00e4llts ut s\u00e4llan, bland annat p\u00e5 Valmet Oy Pansiovarvet (1983) och i \u00c5bo Kulturcentrum (1992). Konstn\u00e4rshemmet Ragala var \u00f6ppet f\u00f6r allm\u00e4nheten en g\u00e5ng i m\u00e5naden under flera \u00e5rs tid.<\/p>\n

\u00c5r 2024 fiok Paananens bildkonst \u00e4ntligen st\u00f6rre synlighet: P\u00e5 Manillafabriken i \u00c5bo ordnades en mer omfattande minnesutst\u00e4llning och i Sankt Henriks ekumeniska konstkapell h\u00f6lls utst\u00e4llningen Temppeleit\u00e4 Pariisissa<\/em> (Tempel i Paris). Konstn\u00e4ren Anu Tuomi ansvarade f\u00f6r att kuratera b\u00e5da utst\u00e4llningarna.<\/p>\n

Den senaste tidens intresse f\u00f6r Paananens konst \u00e4r sprungen ur kulturf\u00f6reningen Riskiryhm\u00e4 ry:s aktiva satsningar. \u00c5r 2024 genomf\u00f6rde Riskiryhm\u00e4 en serie teaterf\u00f6rst\u00e4llningar Taide pitk\u00e4, el\u00e4m\u00e4 p\u00e4tk\u00e4<\/em> i Ragala. P\u00e5 initiativ av gruppen ses en diger retrospektiv utst\u00e4llning och f\u00f6rsta utst\u00e4llning p\u00e5 museum av Matti Rag Paananen i Aboa Vetus Ars Nova.<\/p>\n

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Till\u00e4ggsinformation<\/strong><\/p>\n

Niina Tanskanen
\nutst\u00e4llningsamanuens
\nniina.tanskanen@avan.fi<\/a>
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