{"id":13252,"date":"2025-05-28T09:51:53","date_gmt":"2025-05-28T06:51:53","guid":{"rendered":"https:\/\/avan.fi\/?p=13252"},"modified":"2025-05-28T09:51:53","modified_gmt":"2025-05-28T06:51:53","slug":"sari-soininen-the-trees-are-not-what-they-seem","status":"publish","type":"post","link":"https:\/\/avan.fi\/sv\/sari-soininen-the-trees-are-not-what-they-seem","title":{"rendered":"Sari Soininen: The Trees Are Not What They Seem"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”5%” bottom_padding=”3%” constrain_group_2=”yes” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Sari Soininen: The Trees Are Not What They Seem 13.6.\u201421.9.2025″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=””][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”8%” constrain_group_2=”yes” right_padding_desktop=”8%” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Pressmeddelande 28.5.2025<\/strong><\/p>\n

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Sari Soininen:<\/strong> The Trees Are Not What They Seem<\/em><\/strong>
\n13.6.\u201421.9.2025
\nArs Nova, 1. v\u00e5ningen<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vad \u00e4r skillnaden mellan att titta och att se?<\/p>\n

Soininens fotografier \u00e4r dr\u00f6mlika landskap, sj\u00e4lvportr\u00e4tt och stilleben. De \u00e4r vyer som hon har m\u00f6tt \u2013 l\u00f6vverk, blomster\u00e4ngar, gator, elledningar och djur. Saker som har bett om att bli fotograferade. Framf\u00f6r v\u00e5ra \u00f6gon finns i Soininens fotografier egentligen inget som vi inte har sett, men samtidigt ser ingenting bekant ut.<\/p>\n

Soininens arbetss\u00e4tt \u00e4r dokument\u00e4rt, eftersom hon n\u00e4stan inte alls redigerar bilderna efter att de tagits. N\u00e4r hon tar en bild kan hon anv\u00e4nda sig av blixtljus, f\u00e4rgfilter eller r\u00f6k f\u00f6r att framh\u00e4va objektet hon ser. Oftast hj\u00e4lper enbart komposition och besk\u00e4rning i att ta fram den betydande aspekten eller fenomenet som har v\u00e4ckt hennes intresse i den omgivande v\u00e4rlden.<\/p>\n

Utan tvekan har den m\u00e5nader l\u00e5nga LSD-psykos som hon upplevt haft en o\u00e5terkallelig p\u00e5verkan p\u00e5 hennes konstn\u00e4rliga uttryck. I sina verk belyser Soininen upplevelsen av psykos, som \u00e4r traumatisk men uppv\u00e4ckande. I den ers\u00e4tts de etablerade betydelserna i vardagslivet med en annan, pockande verklighet, som tar sig i uttryck i meddelanden och tecken vilka uppenbaras \u00f6verallt.<\/p>\n

Soininens intresse f\u00f6r rotfasta upplevelser av medvetandet \u00e4r framsprungen ur oron f\u00f6r att saker \u00e4r p\u00e5 v\u00e4g att f\u00f6rlora sin betydelse. En o\u00e4ndlig m\u00e4ngd av alternativ, inflationen som beror p\u00e5 ett \u00f6verfl\u00f6d av allting, \u00e4r ett existentiellt problem som h\u00f6r ihop med betydelse och uppskattning. Till detta erbj\u00f6d psykosen en sorts r\u00e4ddning. Soininen beskriver psykosen som en omorganisering av tecken och betydelser. Hon b\u00f6rjade tolka bekanta saker ur ett nytt perspektiv.<\/p>\n

Sedermera har konst och fotografi befriat Soininen till att unders\u00f6ka jaget och tillvaron, d\u00e4r en andlig k\u00e4nsloupplevelse, den yttre verkligheten och den inre v\u00e4rlden f\u00f6renas. Den h\u00e4r upplevelsen av enighet, att uppfatta sj\u00e4lvet som en del av v\u00e4rldsalltet, f\u00f6renar \u00e4ven m\u00e5nga psykedeliska upplevelser.<\/p>\n

Mellan att titta och att se finns ett utrymme lika stort som medvetandet. Vi kan titta<\/em> p\u00e5 vad som helst, men vi kan inte se<\/em> n\u00e5gonting bortom v\u00e5rt medvetande.<\/p>\n

Utst\u00e4llningen The Trees Are Not What They Seem<\/em> best\u00e5r av fotoutskrifter och ett videoverk. Den nyaste serien som \u00e4r under arbete, Shallow Waters, Misty Waves<\/em>, granskar vardagsverklighetens sk\u00f6nhet samt de mystiska och s\u00e4regna drag som varvats i den. Den tidigare helheten The Transcendent Country of The Mind<\/em> (2019\u20132021) avbildar Soininens andra verklighet som psykosen gl\u00e4ntat p\u00e5, och att g\u00f6ra upp med den h\u00e4r v\u00e4rlden. I utst\u00e4llningen visas \u00e4ven sj\u00e4lvportr\u00e4tt, som \u00e4r en terapeutisk metod f\u00f6r Soininen att behandla egna upplevelser.<\/p>\n

Sari Soininen (f. Reso) har utexaminerats som magister i fotokonst fr\u00e5n UWE Bristol-universitetet (2021) och som medianom fr\u00e5n Lahtis designinstitut (2014). Sedan \u00e5r 2021 har Soininens fotografier v\u00e4ckt stort intresse runt om i v\u00e4rlden. Hennes fotografier har lyfts fram i stor utstr\u00e4ckning av internationell media, s\u00e5som The Guardian<\/em>, Financial Times<\/em> och Lib\u00e9ration<\/em>.<\/p>\n

Soininens senaste soloutst\u00e4llningar \u00e4r Transcendent Country of the Mind<\/em> (Heinon galleria, 2025), Katseen takana<\/em> (Lahden visuaalisten taiteiden museo Malva, 2024) och Terra Incognita<\/em> (Galleria Koivulinna, Pukkila, 2024). Sedan \u00e5r 2021 har hon deltagit i m\u00e5nga internationella grupputst\u00e4llningar. Hennes konstb\u00f6cker har ocks\u00e5 f\u00e5tt mycket internationell uppm\u00e4rksamhet, s\u00e5som den sluts\u00e5lda Transcendent Country of the Mind <\/em>(Eriskay Connection, 2022).<\/p>\n

Finska Kulturfonden har st\u00f6tt konstn\u00e4rens arbete. Utst\u00e4llningen har f\u00e5tt st\u00f6d av Centret f\u00f6r konstfr\u00e4mjande (Taike), Finnfoto ry och Museiverket.<\/p>\n

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Till\u00e4ggsinformation<\/strong><\/p>\n

Niina Tanskanen
\nutst\u00e4llningsamanuens
\nniina.tanskanen@avan.fi<\/a>
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