{"id":12198,"date":"2025-01-24T11:53:11","date_gmt":"2025-01-24T09:53:11","guid":{"rendered":"https:\/\/avan.fi\/?p=12198"},"modified":"2025-01-24T11:53:11","modified_gmt":"2025-01-24T09:53:11","slug":"raisa-raekallio-misha-del-val-milieu-2","status":"publish","type":"post","link":"https:\/\/avan.fi\/sv\/raisa-raekallio-misha-del-val-milieu-2","title":{"rendered":"Raisa Raekallio & Misha del Val: Milieu"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”5%” bottom_padding=”3%” constrain_group_2=”yes” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Raisa Raekallio & Misha del Val: Milieu 7.2.\u201425.5.2025″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=””][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”8%” constrain_group_2=”yes” right_padding_desktop=”8%” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Pressmeddelande 24.1.2025<\/strong><\/p>\n

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Raisa Raekallio & Misha del Val: Milieu<\/em>
\n7.2.\u201425.5.2025
\n<\/strong>Ars Nova, 2. v\u00e5ningen<\/strong><\/p>\n

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Utst\u00e4llningen Milieu<\/strong> av konstn\u00e4rsduo Raisa Raekallio och Misha del Val sammanst\u00e4ller verk m\u00e5lade under de tio senaste \u00e5ren. Ber\u00e4ttelsen b\u00f6rjar med Raisas portr\u00e4tt, Ticket to Finland<\/strong> (2013), som har m\u00e5lats av Misha del Val. Portr\u00e4ttet sp\u00e5rar deras gemensamma uppt\u00e4cktsf\u00e4rd in i en v\u00e4rld som \u00f6ppnas upp i m\u00e5lningen. L\u00e4ngs f\u00e4rden m\u00f6ter de sirtakidansare, tyranner, profeter, h\u00e4xor, bohemer, tr\u00e4dandar, \u00f6verlevande efter plastikkirurgi, sp\u00f6ken, bortgl\u00f6mda filmstj\u00e4rnor, passionerade \u00e4lskare och bastubadare.<\/p>\n

Landskapen i norr och de hemtrevliga inomhusbilderna har en magisk realism. Excentriskt folk har samlats i den bekanta livsmilj\u00f6n. M\u00e5lningarna \u00f6ppnar upp vyer till platser d\u00e4r man kan uppleva betydelsefulla m\u00f6ten: till skogarna, i bastun och vid det gemensamma bordet.<\/p>\n

Deras m\u00e5lningar p\u00e5minner om intima genrem\u00e5lningar (genre paintings) som \u00e4r bekanta fr\u00e5n konsthistorien och de avbildar m\u00e4nniskors vardag, tidsf\u00f6rdriv, sammantr\u00e4den och fester. I dem finns referenser till nederl\u00e4ndska genrem\u00e5lningar fr\u00e5n 1500-talet, som f\u00f6rest\u00e4ller ett livligt pastorallandskap och interaktionen mellan m\u00e4nniskor. St\u00e4mningen i genrem\u00e5lningarna \u00e4r en f\u00f6runderlig kombination av omtanke och f\u00f6rsjunkenhet i det egna arbetet, en kombination som m\u00e5h\u00e4nda \u00e4r orsaken bakom deras popularitet.<\/p>\n

Raekallios och del Vals m\u00e5lningar \u00e4r \u00f6gonblick som p\u00e5minner om intryck<\/em>. De impressionistiska m\u00e5lningarna str\u00e4cker sig mot stunden. Olika tidsskikt g\u00e5r in i varandra, och st\u00e4mningen \u00e4r dr\u00f6mlik och mystisk. I v\u00e4rlden som avbildas av konstn\u00e4rsparet r\u00e5der en h\u00e4pnadsv\u00e4ckande enhet, som \u00f6verskrider de traditionella definitionerna av verklighet. Deras konst g\u00f6r inte skillnad p\u00e5 den h\u00e4r sidan och den andra sidan, eller p\u00e5 det m\u00f6jliga eller om\u00f6jliga \u2013 den st\u00e4ller sig utanf\u00f6r dessa gr\u00e4nser.<\/p>\n

Milieu<\/em>\u00a0(milj\u00f6) syftar till en milj\u00f6 d\u00e4r n\u00e5gonting h\u00e4nder. Den beskriver en rotfast upplevelse i en komplex, nomadisk v\u00e4rld: att bos\u00e4tta sig i milj\u00f6n och samtidigt vara medveten om att den best\u00e5r av n\u00e4tverk av andra milj\u00f6er och omr\u00e5den. Milj\u00f6n \u00e4r inte en statisk plats, utan den blir till genom r\u00f6relse, samt saknar en tydlig b\u00f6rjan och slut. Den \u00e4r en erfarenhet av n\u00e5gon som slungats in i en komplex v\u00e4rld, en v\u00e4rldsmedborgares stig.<\/p>\n

Identiteten hos personerna som avbildas i portr\u00e4tten i m\u00e5lningsserien Space Refugees<\/strong> (2002) \u2013 det vill s\u00e4ga nationalitet, k\u00f6n, social status \u2013 har l\u00f6sts upp. De \u00e4r en kombination av utanf\u00f6rskap och samh\u00f6righet, p\u00e5 samma s\u00e4tt som kittil\u00e4bons (Raekallio) och baskens (del Val) erfarenheter.<\/p>\n

Det exceptionella med deras arbete \u00e4r att de m\u00e5lar tillsammans p\u00e5 en och samma duk. En m\u00e5lning blir till genom en n\u00e4ra dialog samt i dansens och arbetets tecken. Processen \u00e4r en \u00f6ppen situation i st\u00e4ndig f\u00f6r\u00e4ndring. Det gemensamma m\u00e5leriet str\u00e4var efter m\u00f6jligheter som \u00f6verstiger individens. M\u00e5leriet \u00e4r att lyssna och att svara, och d\u00e4rigenom kommer m\u00e5lningens egen karakt\u00e4r fram.<\/p>\n

Raekallio ber\u00e4ttar vad m\u00e5leriet betyder f\u00f6r konstn\u00e4rsparet:<\/p>\n

\u201dEn av uppgifterna med att m\u00e5la \u00e4r att stiga in i mysteriet och visa respekt f\u00f6r det genom ursprungliga, poetiska och p\u00e5 s\u00e4tt och vis uppv\u00e4ckande strategier, och kanske \u00e4r det vad som f\u00e5r oss att g\u00e5 till arbetsrummet varje morgon. En lyckad m\u00e5lning \u00e4r just detta: att bl\u00e5sa liv i, och fira, mysteriet.<\/em><\/p>\n

Milieu<\/strong> \u00e4r ett hem f\u00f6r kreativitet \u2013 en hemvist f\u00f6r det osannolika och m\u00f6jliga.<\/p>\n

Raisa Raekallio (f. Kittil\u00e4) och Misha del Val (f. Bilbao, Baskien, Spanien) bor och arbetar i Sirkka, som \u00e4r en by med 890 inv\u00e5nare i Kittil\u00e4 invid fj\u00e4llet Levi. De har m\u00e5lat tillsammans i \u00f6ver tio \u00e5r.<\/p>\n

Raekallio har studerat bildkonst vid Lahtis designinstitut. del Val har studerat bildkonst i Baskiens universitet och i New South Wales bildkonstakademi i Sydney. F\u00f6r n\u00e4rvarande avl\u00e4gger han filosofie magisterexamen vid Spaniens nationella universitet f\u00f6r distansinl\u00e4rning (UNED).<\/p>\n

F\u00f6rutom m\u00e5leri best\u00e5r Raekallios och del Vals konstn\u00e4rliga arbete av gemensamma performanser, kureringsprojekt och podcasten God Liver<\/strong>. Konstevenemanget Sirkka Arte Biennale<\/strong> (2017\u20132025) som kureras av konstn\u00e4rsparet \u00e4r en betydande g\u00e4rning f\u00f6r det nutidskonstf\u00e4ltet i norr.<\/p>\n

\u00c5r 2023 beviljades Raisa Raekallio och Misha del Val Konstn\u00e4rsgillet i Finlands bildkonstn\u00e4rspris.<\/p>\n

Konstn\u00e4rsparets f\u00f6rsta gemensamma utst\u00e4llning ordnades i Aitta-studio i byn Sirkka (Kittil\u00e4) \u00e5r 2014. De har haft museiutst\u00e4llningar enligt f\u00f6ljande: Lapin piha<\/strong> (Aines konstmuseum, Torne\u00e5 2024), Kaamos<\/strong> (Espacio Marzana, Bilbao 2024) och Dialogues on Trees and Humans<\/strong> (Kemi konstmuseum 2018).\u00a0 Galleriutst\u00e4llningar har de haft bland annat i f\u00f6ljande: Makasiini Contemporary (\u00c5bo 2024, 2021\u20132024), Galleria Huuto (Helsingfors 2022), Tm-galleria (Helsingfors 2020), Galleria Napa (Rovaniemi 2018) och Galerie Pleiku (Berlin 2016).<\/p>\n

Deras verk finns bland annat i f\u00f6ljande samlingar: Jenny och Antti Wihuris stiftelse, Saastamoinen stiftelsens samling, EMMA \u2013 Esbo moderna konstmuseum, Lars G\u00f6ran Johnssons samling \u2013 \u00c5bo konstmuseum, Rovaniemi konstmuseum, Ule\u00e5borgs konstmuseum, Aines konstmuseum (Torne\u00e5) och BilbaoArte Foundation (Bilbao).<\/p>\n

Konstn\u00e4rerna har f\u00e5tt bidrag via Centret f\u00f6r konstfr\u00e4mjande. Utst\u00e4llningen har f\u00e5tt st\u00f6d av Museiverket.<\/p>\n

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Till\u00e4ggsinformation<\/strong><\/p>\n

Niina Tanskanen
\nutst\u00e4llningsamanuens
\nniina.tanskanen@avan.fi<\/a>
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