{"id":11316,"date":"2024-05-23T08:10:05","date_gmt":"2024-05-23T05:10:05","guid":{"rendered":"https:\/\/avan.fi\/?p=11316"},"modified":"2024-05-23T08:10:05","modified_gmt":"2024-05-23T05:10:05","slug":"marko-vuokola-sense-and-sensibility","status":"publish","type":"post","link":"https:\/\/avan.fi\/sv\/marko-vuokola-sense-and-sensibility","title":{"rendered":"Marko Vuokola: Sense and Sensibility"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”5%” bottom_padding=”3%” constrain_group_2=”yes” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Marko Vuokola: Sense and Sensibility 8.6.\u221215.9.2024″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=””][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”8%” constrain_group_2=”yes” right_padding_desktop=”8%” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Pressmeddelande 23.5.2024<\/strong><\/p>\n

 <\/p>\n

Marko Vuokola: Sense and Sensibility
\n<\/em><\/strong>8.6.-15.9.2024
\n<\/strong>Ars Nova, 2. v\u00e5ningen<\/strong><\/p>\n

 <\/p>\n

Marko Vuokolas<\/strong> poetiska konceptkonst unders\u00f6ker perception och upplevelse. V\u00e5r \u201dn\u00e4rvaro h\u00e4r\u201d inneb\u00e4r att f\u00f6rst\u00e5 v\u00e4rlden fr\u00e5n ett m\u00e4nskligt l\u00e4ge. Det g\u00e5r inte att skilja tittaren och objektet fr\u00e5n varandra. Vi s\u00f6ker efter betydelsen f\u00f6r v\u00e5r tillvaro i v\u00e5r relation till v\u00e4rlden.<\/p>\n

V\u00e5r upplevelse definieras av timlighet. Vi uppt\u00e4cker \u00e4ndringar i relation till tiden. Vuokolas tudelade fotografiska verk visar att vi existerar i stunden<\/em> som aldrig h\u00e4nder p\u00e5 nytt p\u00e5 samma s\u00e4tt. Allting har \u00e4ndrat mellan tv\u00e5 fotografier som tagits efter varandra.<\/p>\n

Vuokolas okonstlade och genomt\u00e4nkta verk skapar rum f\u00f6r k\u00e4nsligare perceptioner. I minimalismens anda fokuserar Vuokola p\u00e5 fotografiets och den r\u00f6rliga bildens tidsm\u00e4ssiga karakt\u00e4r. Skapandet, handavtryck och igenk\u00e4nnlighet har avl\u00e4gsnats till bakgrunden vilket bevarar en taktfull kombination av romantik och analytiskhet. Verken leder diskret till att begrunda \u2013 och p\u00e5 s\u00e5 s\u00e4tt till att f\u00f6rst\u00e5 sj\u00e4lv.<\/p>\n

F\u00f6r Vuokolas verk \u00e4r upprepning gemensamt. Oftast best\u00e5r verken av tv\u00e5 delar. Tv\u00e5 (m\u00e5ngfald) skapar skillnaden. Med tv\u00e5 bilders eller objekts parallellitet ingriper man radikalt i en bilds ideala, etablerade form \u2013 identiteten. Uppm\u00e4rksamheten f\u00e4sts vid den kontinuerliga r\u00f6relsen d\u00e4r t\u00e4nkandet och etiken opererar.<\/p>\n

I Vuokolas verk \u00e4r det viktigaste att skillnader syns. Verkens seriella logik verkar inte alls vara intresserat av det ursprungliga objektet eller verket utan verken uppst\u00e5r fr\u00e5n varandra. Vuokolas konst \u00e4r f\u00f6rtj\u00e4nstfullt hyperrealistiskt: \u00e4ven om den opererar med kopior f\u00f6rlorar den inte kontakten med v\u00e5ra sinnen eller v\u00e5r f\u00f6rm\u00e5ga att skapa mening.<\/p>\n

Sense and Sensibility<\/em> avsl\u00f6jar en m\u00e5ngsidig bildkonstn\u00e4r vems verk inte har varit utst\u00e4llda i \u00c5bo tidigare. Med p\u00e5 utst\u00e4llningen finns verk fr\u00e5n de senaste 30 \u00e5ren.<\/p>\n

I centrum av den minimalistiska utst\u00e4llningen som best\u00e5r av fotografier, videokonst och skulpturer finns timlighet och upprepning. Vuokolas analytiska och m\u00e4nskliga s\u00e4tt att n\u00e4rma sig erbjuder sm\u00e5 och stora insikter \u00e5t tittaren \u2013 utan att gl\u00f6mma bort sk\u00f6nheten.<\/p>\n

Fotografierna i utst\u00e4llningen har plockats fr\u00e5n n\u00e5gra av Vuokolas centrala serier. The Seventh Wave<\/em>-seriens (2001\u2013) verk \u00e4r diptyker. I verken har samma motiv avbildats vid olika tidpunkter vilket leder till att en tidsm\u00e4ssig relation och h\u00e4ndelser sp\u00e4nns upp mellan tv\u00e5 bilder. Spaceliner<\/em>-verken (2013\u2013) som avbildar ljusets r\u00f6relse och Speedmaster I <\/em>fotografiet p\u00e5 ett armbandsur (2016) som exponerats i 24 timmar anvisar s\u00e5ledes tid fast \u00e4n de \u00e4r stillbilder.<\/p>\n

De extremt knappa videoverken s\u00e5som Rakkauden valtameri<\/em> (2023) och RGB 4x 16777216<\/em> (2024) best\u00e5r n\u00e4stan enbart av f\u00e4rger. RGB-<\/em>verket \u00e4r ett h\u00e4pnadsv\u00e4ckande erfarenhetsbaserat verk om den teoretiska RGB-f\u00e4rgrymden. I Rakkauden<\/em> valtameri<\/em> skapar tv\u00e5 vandrande h\u00e5rstreck en kontemplativ stund. I verket Sense and Sensibility<\/em> (2023) som gett utst\u00e4llningen sitt namn lyser ljuset fr\u00e5n Ut\u00f6 fyr sett fr\u00e5n Jurmo. Den ena videon \u00e4r filmad p\u00e5 ett stativ och den andra p\u00e5 fri hand.<\/p>\n

P\u00e5 ett s\u00e4tt som \u00e4r typiskt f\u00f6r konceptkonst tar \u00e4ven 3D-utskrivna skulpturerna Et\u00e4isyys I & II-Dopplerin ilmi\u00f6<\/em> (2023) och fotografiska verket Dopplerin ilmi\u00f6<\/em> (2021) som sina utg\u00e5ngspunkter effekten av r\u00f6relseriktningen p\u00e5 objektet som producerar ljud. I verken har Dopplereffektens id\u00e9 flyttats \u00f6ver till inre relationer och betydelser mellan bild och skulptur.<\/p>\n

Kultalanka<\/em> (1994\u20131995) f\u00f6r fram Vuokolas anstr\u00e4ngningar som ligger bakom den skenbara l\u00e4ttheten. Under sommaren 1994 gr\u00e4vde han efter och vaskade guld i Lappland. Guldet som hittades var dragits till en n\u00e4stan 5 meter l\u00e5ng tr\u00e5d. Bearbetandet av id\u00e9en till den slutliga formen \u00e4r resultatet av ett tungt arbete.<\/p>\n

Marko Vuokola bor och arbetar i Helsingfors. Vuokolas arbetsrum \u00e4r bel\u00e4get i Kalervo Kallios atelj\u00e9hus i Munksn\u00e4s. Det inofficiella namnet p\u00e5 arbetsgemenskapen som l\u00e4nge verkat i atelj\u00e9huset \u00e4r Studio<\/em> GNTV<\/em> till vilken h\u00f6r \u00e4ven konstn\u00e4rsduon Gr\u00f6nlund-Nisunen och Mika Taanila. Vuokola \u00e4r en passionerad seglare och bekant med Erstan i \u00c5boland och \u00d6stersj\u00f6n. Hans produktion inneh\u00e5ller romantiska referenser till havet och sk\u00e4rg\u00e5rden fr\u00e5n mer \u00e4n 30 \u00e5rs tid.<\/p>\n

Vuokolas senaste separatutst\u00e4llningar \u00e4r Rakkauden valtameri<\/em> (2023) i Helsingfors Konsthall och When is Now<\/em> (2018), Green Flash<\/em> (2016) och Photography and Video<\/em> (2013) i Galerie Anhava.<\/p>\n

Dessutom har han deltagit i flera grupputst\u00e4llningar som Subterranean<\/em> (2022) i Amos Rex, Diversity<\/em> United<\/em> (2021) p\u00e5 Tempelhofs flygplats i Berlin, In<\/em> the<\/em> Collection<\/em> vid Trondheims konstmuseum (2012\u201313) och vid Galerie 21 i Malm\u00f6. Den senaste grupputst\u00e4llningen Motus<\/em> h\u00e5lls tillsammans med konstn\u00e4rsv\u00e4nnerna Jyrki Siukonen och Tuomas Korkalo vid Grafiikanpaja Himmelblau i Tammerfors i maj 2024.<\/p>\n

Vuokolas verk h\u00f6r till flera samlingar s\u00e5som Finlands nationalgalleri Kiasmas, Esbo stads EMMAs, Jenny ja Antti Vihurin rahastos och Fotografiska museets samlingar. D\u00e4rut\u00f6ver finns Vuokolas verk t.ex. i Helsingfors, Tavastehus, Bj\u00f6rneborgs och Tammerfors st\u00e4dernas samlingar samt i privata samlingar i Finland och utomlands. Vuokola har \u00e4ven skapat flera offentliga verk, t.ex. OLO No. 44<\/em> \u00e5t \u00c5bo universitets Pedagogiska fakultet (2009).<\/p>\n

Centret f\u00f6r konstfr\u00e4mjande (Taike) har st\u00f6tt konstn\u00e4rens arbete. Utst\u00e4llningen har f\u00e5tt st\u00f6d av Museiverket.<\/p>\n

Till\u00e4ggsinformation<\/strong><\/p>\n

Niina Tanskanen
\nutst\u00e4llningsamanuens
\nniina.tanskanen@avan.fi<\/a>
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