{"id":11309,"date":"2024-05-23T08:11:21","date_gmt":"2024-05-23T05:11:21","guid":{"rendered":"https:\/\/avan.fi\/?p=11309"},"modified":"2024-05-23T08:11:21","modified_gmt":"2024-05-23T05:11:21","slug":"irene-suosalo-remix","status":"publish","type":"post","link":"https:\/\/avan.fi\/sv\/irene-suosalo-remix","title":{"rendered":"Irene Suosalo: REMIX"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”5%” bottom_padding=”3%” constrain_group_2=”yes” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Irene Suosalo: REMIX 8.6.\u221215.9.2024″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=””][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”8%” constrain_group_2=”yes” right_padding_desktop=”8%” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Pressmeddelande 23.5.2024<\/strong><\/p>\n

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Irene Suosalo: REMIX
\n<\/em><\/strong>8.6.\u201315.9.2024
\n<\/strong>Ars Nova 1. v\u00e5ningen<\/strong><\/p>\n

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Konstn\u00e4r Irene Suosalo<\/strong> kryssar mellan de etablerade konstformerna. Hon n\u00e4rmar sig animation och illustration p\u00e5 ett originellt s\u00e4tt, som mer liknar de str\u00e4vanden som f\u00f6renar den experimentella videokonsten eller den abstrakta konstens sinnebild.<\/p>\n

De flesta av hennes verk \u00e4r korta animerade loopar eller videoinstallationer som best\u00e5r av hundratals animerade element. Hon skapar sina verk av skannade pappersklipp och digitala vektorer genom att animera dem med bildbehandlings- och videoprogram. Att g\u00f6ra animationer \u00e4r tidskr\u00e4vande, pietetsfullt handarbete som kombinerar analoga och digitala materialexperiment. Bildmaterialet textureras och komprimeras med videosyntetisatorer och styrs med hj\u00e4lp av programvara avsedd f\u00f6r visning av bildelement p\u00e5 klubbar. Arbetss\u00e4ttet p\u00e5minner mycket om hur man skapar elektronisk musik.<\/p>\n

Suosalos animationer \u00e4r n\u00e4ra besl\u00e4ktade med VJ-konst som baserar sig p\u00e5 improvisation. VJ-konsten uppstod i mitten av 1970-talet och tar avstamp fr\u00e5n klubbkulturen. En VJ (video jockey<\/em>) anv\u00e4nder videoanimeringar f\u00f6r att komplettera musikupplevelsen. VJ kombinerar noga utvalt bildmaterial och live-performance. VJ-konsten \u00e4r ett fenomen i den abstrakta experimentella konstens historia och den kopplar samman teknologi, r\u00f6rlig bild och multisensorisk upplevelse p\u00e5 ett kreativt s\u00e4tt.<\/p>\n

Technomusiken och klubbkulturen som utvecklats kring den har en uppenbar betydelse f\u00f6r Suosalos verk. Den \u00e4r f\u00f6delse- och visningsplatsen f\u00f6r hennes konst. Techno \u00e4r Suosalos andra natur. I VJ-performans produceras en stimulerande r\u00f6rlig bild i v\u00e4xelverkan med musiken. Sk\u00f6nheten i live-f\u00f6rest\u00e4llningen ligger i artistens obesv\u00e4rade uttryckss\u00e4tt. De fantasifulla animationerna uppst\u00e5r delvis ur VJ:ns\u00a0k\u00e4nsla f\u00f6r situationen, f\u00f6rm\u00e5gan att mixa olika inspirationsk\u00e4llor.<\/p>\n

Suosalos estetik f\u00f6rh\u00f6jer misstaget – det \u00e4r lo-fi och glitch \u2013 en ofullkomlig sk\u00f6nhet. Lo-fi (low fidelity<\/em>) \u00e4r en produktiv g\u00f6r-det-sj\u00e4lv-konstform, d\u00e4r skaparkraften hos en enskild vision\u00e4r inte \u00e4r str\u00e4ngt bunden till en stor produktion eller \u00e4ndl\u00f6s finish. Glitch h\u00e4nvisar<\/em> till datorernas olika systemfel till vilka h\u00f6r ett existentiellt \u00f6verv\u00e4gande om sk\u00f6nhet. I Suosalos verk g\u00f6rs teknikens inbyggda svagheter till en dygd; brus, moir\u00e9, pixel och f\u00f6rvridna linser \u00e4r ett centralt stilmedel och p\u00e5 s\u00e4tt och vis \u00e4ven temat.<\/p>\n

Suosalo \u00e4r internationellt k\u00e4nd f\u00f6r sin animerade bildjournalistik som f\u00f6rkroppsligar modern retroestetik. Som illustrationsform \u00e4r det viktigt att utkristallisera en id\u00e9 p\u00e5 ett insiktsfullt s\u00e4tt med visuellt ber\u00e4ttande \u2013 det \u00e4r ett slags illustrationens konstbegrepp. De stilistiska inslagen i hennes illustrationer \u00e4r fr\u00e5n gamla animationsfilmer f\u00f6r barn, konsol- och br\u00e4dspel, leksaker, n\u00f6jesparker och f\u00f6r\u00e5ldrad teknologi, allt detta glada och besynnerliga, som bildar ett kollektivt sediment i v\u00e5ra minnen.<\/p>\n

Enligt uppgift har Suosalo ett digitalt arkiv med cirka 8 000 animationer och ett bibliotek av tusentals hemlagade clipart-m\u00f6nster. De imagin\u00e4ra m\u00f6jligheterna f\u00f6r nya verk \u00e4r s\u00e5ledes o\u00e4ndliga. Suosalo REMIX<\/em> i Aboa Vetus Ars Nova \u00e4r hennes f\u00f6rsta soloutst\u00e4llning p\u00e5 ett museum. Utst\u00e4llningen \u00e4r en lekfull samling av animerade verk som relaterar till animationshistoria, experimentell videokonst och VJ-kultur.<\/p>\n

REMIX<\/em>-utst\u00e4llningen best\u00e5r av sju videoprojiceringar, tryck och skulpturer som utnyttjar olika slags animationstekniker. Huvudverket Cinerama<\/em> (2024) \u00e4r en cirka 30 minuter l\u00e5ng animation som har skapats f\u00f6r utst\u00e4llningen. Verket \u00e4r en cirka 10 meter bred videoprojicering och dess syfte \u00e4r att \u00f6verf\u00f6ra VJ-konstens klubbupplevelse till konstmuseet. De nya runda videoinstallationerna sammanst\u00e4ller nyhets- och infografik : Atlas<\/em> (2024) liknar en abstrakt jordglob och Index<\/em> (2024) en lek med grundformer.<\/p>\n

KINO-TV<\/em> och Archive<\/em> presenterar Suosalos tusentals animationsloopar fr\u00e5n \u00e5ren 2018\u20132024. Arcade<\/em> (2024) och Illusion Television (2024) <\/em>\u00e4r skulpturer som kombineras med r\u00f6rlig bild. F\u00f6rutom videoskulpturer har utst\u00e4llningen animationsskulpturer, s\u00e5som Fish Tank <\/em>(2024) och Kieputin<\/em> (2024), som utnyttjar id\u00e9er fr\u00e5n tidiga animationer.<\/p>\n

Irene Suosalo\u00a0\u00e4r en videokonstn\u00e4r och illustrat\u00f6r fr\u00e5n Helsingfors. Hon har en fotografexamen fr\u00e5n Lahtis designinstitut 2019.<\/p>\n

Suosalos f\u00f6rsta stora videoinstallationen \u00e4r Collisions, <\/em>inspirerad av norrsken, <\/em>som hon gjorde till festivalen f\u00f6r samtidsdans AuditoriumArte i Rom 2019. Det abstrakta 20 minuter l\u00e5nga verket bestod av animerad videoprojektion och ljudsp\u00e5r. Videoverket Nonsense Reality<\/em> (2020) som ing\u00e5r i moderna konstmuseet Kiasmas samlingar, \u00e4r en lekfull kollektion av abstrakta former, estetik fr\u00e5n tidiga konsolspel och psykedeliska bilder.<\/p>\n

\u00c5r 2018 upptr\u00e4dde Suosalo f\u00f6r f\u00f6rsta g\u00e5ngen som VJ-konstn\u00e4r p\u00e5 klubben Kaiku. H\u00e4rmed fann Suosalos experimentella animationer sin v\u00e4g till technokulturens centrala klubbar i Helsingfors som Kaiku, \u00c4\u00e4niwalli, Postbar, samt REX Club i Paris. Hon har \u00e4ven gjort musikvideor och bildelement p\u00e5 giggar f\u00f6r flera artister och har upptr\u00e4tt p\u00e5 festivaler, bland annat Retriitti (Raseborg), Flow Festival (Helsingfors), Ruisrock (\u00c5bo) och Turku Modern.<\/p>\n

\u00c5r 2023 var Suosalo den visuella skaparen till konserten Oracle<\/em>, i samverkan med komposit\u00f6ren Lauri Supponen och slagverksartist Kalle Hakosalo. Oracle<\/em>s premi\u00e4r var i K\u00f6penhamn p\u00e5 Royal Danish Academy of Music Concert Hall. Suosalos senaste visuella arbete \u00e4r till komposit\u00f6ren Cecilia Damstr\u00f6ms dragspelskonsert Permafrost<\/em>, vars uruppf\u00f6rande var p\u00e5 dragspelsfestivalen i Karleby vintern 2024.<\/p>\n

\u00c5r 2022 valdes Suosalo till \u00c5rets illustrat\u00f6r av Kuvittajat ry. Med h\u00e4nsyn till konstarten \u00e4r hennes experimentella tillv\u00e4gag\u00e5ngss\u00e4tt och framg\u00e5ngarna inom den journalistiska animationen f\u00f6rtj\u00e4nstfulla. P\u00e5 kort tid har Suosalo skapat en betydande internationell karri\u00e4r som illustrat\u00f6r. Bland hennes kunder finns bland annat The New York Times, Bottega Veneta, Burberry, The New Yorker, Wired, Bloomberg Businessweek, Suomen Kuvalehti, Helsinki Design Week och Postbar.<\/p>\n

Finska Kulturfonden har st\u00f6tt konstn\u00e4rens arbete. Utst\u00e4llningen har f\u00e5tt st\u00f6d av Museiverket.<\/p>\n

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Till\u00e4ggsinformation<\/strong><\/p>\n

Niina Tanskanen
\nutst\u00e4llningsamanuens
\n040 585 4499
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