{"id":10071,"date":"2023-06-06T15:02:45","date_gmt":"2023-06-06T12:02:45","guid":{"rendered":"https:\/\/avan.fi\/?p=10071"},"modified":"2023-06-10T22:21:45","modified_gmt":"2023-06-10T19:21:45","slug":"kari-caven-syteen-caven","status":"publish","type":"post","link":"https:\/\/avan.fi\/sv\/kari-caven-syteen-caven","title":{"rendered":"Kari Cav\u00e9n: Syteen \/ Cav\u00e9n"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”5%” bottom_padding=”3%” constrain_group_2=”yes” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Syteen \/ Cav\u00e9n 16.6.\u201319.11.2023″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”8%” constrain_group_2=”yes” right_padding_desktop=”8%” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Pressmeddelande 6.6.2023<\/strong><\/p>\n

 <\/p>\n

Syteen \/ Cav\u00e9n
\n<\/strong>16.6.\u201319.11.2023
\n<\/strong>Ars Nova, f\u00f6rsta v\u00e5ningen<\/strong><\/p>\n

 <\/p>\n

Kari Cav\u00e9n<\/strong> (f. 1954 i Nyslott) \u00e4r som konstn\u00e4r nyfiken och f\u00f6rdomsfri. Han har bevarat en f\u00f6rm\u00e5ga att leka. Den omkringliggande v\u00e4rlden erbjuder honom o\u00e4ndliga impulser och material f\u00f6r hans verk. Id\u00e9erna beh\u00f6ver inte letas fr\u00e5n fj\u00e4rran. Konceptet i Cav\u00e9ns konst \u00e4r enkel men inte alls l\u00e4tt: konsten f\u00f6ds p\u00e5 ett djupsiktigt plan genom att fundera p\u00e5 ett f\u00f6rem\u00e5ls eller ett r\u00e5materials egenskaper och m\u00f6jligheter det vill s\u00e4ga dess nya liv som ett konstverk.<\/p>\n

F\u00f6rem\u00e5lets eller materialets igenk\u00e4nnbarhet och det tidigare livet syns i verken och det p\u00e5verkar v\u00e4sentligt betydelserna i konstverken. Materialen i Cav\u00e9ns verk \u00e4r oftast redan en g\u00e5ng anv\u00e4nda: upphittade saker fr\u00e5n avfallslasten, byggvaror, samlarnas donationer eller till exempel butikens serieprodukter.<\/p>\n

Cav\u00e9ns arbetss\u00e4tt \u00e4r att bygga, montera och forma om. I det f\u00f6renas skulpturen och formgivningen. Varje verk \u00e4r definierad av konsten eller ett experiment som testar deras egenskaper; kommer det h\u00e4r att bli konst? I n\u00e5got fall kan ett verk vara readymade, ett f\u00f6rem\u00e5l som konstn\u00e4ren hittat. I andra fall \u00e4r den en skulptur som monterats av f\u00e4rdiga modulerat element. I en central roll finns konstn\u00e4rens syn att se materialens uppenbara v\u00e4sen eller \u00f6ver den allm\u00e4nna betydelsen. Detta \u00f6ppnar upp verkets skapande potential.<\/p>\n

Cav\u00e9ns verk placerar sig i konceptkonsten, art poveran och inom de minimalistiska omr\u00e5dena. F\u00f6r alla de ovann\u00e4mnda 1960-tals konstriktningarna \u00e4r det gemensamma en otraditionellhet det vill s\u00e4ga den traditionella konstens regelbundna formens och materialens kritik. Arte povera <\/em>visade att konstverk kan man framst\u00e4lla fr\u00e5n vilket material som helst och den industriella minimalismen granskade skulpturen som ett autonomiskt objekt som \u00e4r fri fr\u00e5n avbildandet av verkligheten.<\/p>\n

Som bildskulpt\u00f6r \u00e4r Cav\u00e9n en trogen materialist: han har h\u00e4ngett sig \u00e5t att skapa verk. Den id\u00e9 som ett verk f\u00f6ds av \u00e4r t\u00e4tt sammanbundet med verkets material eller till de objekt som anv\u00e4nts i dem. Kanske kommer den estetiska sk\u00f6nheten som \u00e4r fr\u00e4mmande f\u00f6r konceptkonsten i Cav\u00e9ns fall att f\u00f6rst\u00e5s p\u00e5 ett mer praktiskt s\u00e4tt: det som \u00e4r bra i skulpturen m\u00f6ts av en id\u00e9 och ett genomf\u00f6rande p\u00e5 ett mer funktionellt och poetiskt s\u00e4tt.<\/p>\n

Cav\u00e9ns verk opererar med spr\u00e5k p\u00e5 m\u00e5nga olika s\u00e4tt. I skulpturen betyder detta serieverk som best\u00e5r av igenk\u00e4nnbara enheter liksom text. Kombinationen producerar betydelsefulla utl\u00e5tanden eller logiska strukturer. \u00c5 andra sidan f\u00e5r man inspiration av de flimrande ordlekarna som finns i verkens namn. Det kan h\u00e4nda att p\u00e5 ett s\u00e4tt s\u00e5 f\u00f6ds konstverket f\u00f6rst i betraktarens sinne. M\u00e5nga verk kommer ocks\u00e5 utav spr\u00e5ket till exempel Cav\u00e9ns vana att f\u00f6rst\u00e5 tales\u00e4ttet bokstavligt<\/em> har f\u00e5tt m\u00e5nga konstverk att bli till.<\/p>\n

Kari Cav\u00e9n b\u00f6rjade som konstm\u00e5lare men bytte ganska snabbt till skulpturen. Han blev f\u00e4rdig fr\u00e5n Konstakademin \u00e5r 1982 och h\u00f6ll sin f\u00f6rsta enskilda utst\u00e4llning i Kuopio konstmuseum 1983. Han har f\u00e5tt pris f\u00f6r sitt konstn\u00e4rliga arbete med en Pro Finlandia medalj (2014), med Finska konstf\u00f6reningens hederspris (2018) och har f\u00e5tt konstn\u00e4rspension sedan 2019.<\/p>\n

Cav\u00e9n har h\u00e5llit ett dussintals solo- och grupputst\u00e4llningar i Finland och internationellt. Hans senaste privatutst\u00e4llningar \u00e4r: Ilo pitk\u00e4st\u00e4 itkusta<\/em> (gl\u00e4dje av en l\u00e5ngt gr\u00e5t), (Nyslott konstmuseum, 2020), Ty\u00f6miehen p\u00e4iv\u00e4kirjasta<\/em> (ur en arbetares dagbok) (Galleri Anhava och Galleri Himmelblau, 2019) och Like Thinkings (Galeria Cavalo, Rio de Janeiro, 2018). Cav\u00e9n har representerat flera g\u00e5nger i v\u00e4rlden den finl\u00e4ndska bildkonsten till exempel p\u00e5 Venedigs biennal (1988 och 1995). Hans verk h\u00f6r till ett dussintal privata och offentliga konstsamlingar och av offentliga verk har han genomf\u00f6rt ett flertal av dem i Finland och Sverige.<\/p>\n

P\u00e5 Aboa Vetus Ars Novas utst\u00e4llning Syteen \/ Cav\u00e9n<\/em> finns utst\u00e4llt Cav\u00e9ns verk fr\u00e5n olika \u00e5r. Tidsenligt \u00e4r huvudpunkten i de verk som blivit f\u00e4rdiga under de senaste \u00e5ren och en del av verken \u00e4r f\u00f6r f\u00f6rsta g\u00e5ngen utst\u00e4llda. Verken \u00e4r av blandteknik- eller readymade skulpturer.<\/p>\n

Utst\u00e4llningens namn \u00e4r en finskspr\u00e5kig ordlek. Sysi<\/em> \u00e4r tr\u00e4kol och leran<\/em> av keramiskt stenmaterial: b\u00e5da tv\u00e5 \u00e4r bildskulpt\u00f6rens material. Ordspr\u00e5ket Syteen tai saveen<\/em> h\u00e4nvisar till \u00f6dets tv\u00e5 sidor, f\u00f6rst\u00e5s \u00e4r det sv\u00e5rt att dra slutsatsen av vad betyder att lyckas och att misslyckas. Det v\u00e4sentliga i ordleken \u00e4r inst\u00e4llningen som inneh\u00e5ller \u00f6desdigert risktagande och h\u00e4ngivenhet f\u00f6r konsten.<\/p>\n

 <\/p>\n

Till\u00e4ggsinformation:<\/strong><\/p>\n

Niina Tanskanen
\nutst\u00e4llningsamanuens
\n040\u00a0585 4499
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