{"id":10678,"date":"2023-11-23T09:10:14","date_gmt":"2023-11-23T07:10:14","guid":{"rendered":"https:\/\/avan.fi\/?p=10678"},"modified":"2023-11-23T09:10:14","modified_gmt":"2023-11-23T07:10:14","slug":"gallery-into-viljo-pertola-bandura","status":"publish","type":"post","link":"https:\/\/avan.fi\/en\/gallery-into-viljo-pertola-bandura","title":{"rendered":"Gallery Into: Viljo Pertola"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”5%” bottom_padding=”3%” constrain_group_2=”yes” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Gallery Into Viljo Pertola: Bandura 8.12.2023\u201314.1.2024″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”8%” constrain_group_2=”yes” right_padding_desktop=”8%” left_padding_tablet=”0″ constrain_group_4=”yes” right_padding_tablet=”0″ left_padding_phone=”0″ constrain_group_6=”yes” right_padding_phone=”0″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Press release 23.11.2023<\/strong><\/p>\n

 <\/p>\n

Gallery Into
\n<\/strong>Viljo Pertola: Bandura
\n<\/em><\/strong>8.12-2023\u201314.1.2024
\n<\/strong>Ars Nova, 2nd floor.<\/strong><\/p>\n

 <\/p>\n

In his subjects, Viljo Pertola<\/strong> (b. 1997, Turku) dives into history, different cultures and the diverse imagery of our time. At the same time, he reaches out to the present. The web of images is woven by tertiary-period spiders and the artist’s hands. The stories are interspersed with the details of a family portrait painted with a sharp wooden stick.<\/p>\n

Concerning the magical realism of the work Adoptioperheemme <\/em>[Our adopted family<\/em>] (2023), Pertola says: \u201cThe snake in the picture, the eastern indigo snake<\/em>, lives in the USA. It is non-venomous. The snake is receiving baby birds whose parentage is unknown. A classic sofa pays homage to old traditions.\u201d On the sofa is a bandura, a Ukrainian folk instrument.<\/p>\n

The works are rich in imagery, combining drawing, painted surfaces, parts of product packaging and comic strips and text cut from newspapers. The parallels between text and image are insightfully humorous. The combination of borrowed images and his own expression reveals Pertola’s personality: as an artist he is a skilled, benevolent and uncompromising aesthete.<\/p>\n

Most of the works in the exhibition are imaginative collages created in mixed media. Although his works depict landscapes and interiors, the overall impression of the composition is flat and layered. The works are like palimpsests, ancient recycled scrolls on which overlapping stories from different ages have been written. In a palimpsest, time levels are mixed together, just as they are on bulletin boards that have a life of their own. Pertola’s works have ragged layers, and some of the paintings have been executed in the same way, both revealing and concealing.<\/p>\n

Pertola has taken it upon himself to look after all the things that people reject and throw away. From all these \u2018curiosities\u2019 that he collects, which are rarely visible, he conceives his works. Even the colours used in the works are remnants of palettes used by others.<\/p>\n

Pertola’s expression is influenced by his admiration for \u2018Japonisme\u2019, the love of Japanese style. Landscapes, composition, a flattened spatial impression and ethereal drawing style all evoke a light Japanese woodcut and the tradition of scroll painting. Some of the works combine characters from manga comics, and the colour scheme mixes more traditional muted colour harmonies with clean pastel shades. The works are embellished by a certain modest subtlety.<\/p>\n

Viljo Pertola graduated as a visual artisan and completed his vocational upper secondary qualification in visual expression at Kaarisilta Art and Activity Center in 2020. In addition to this, he has received a lot of other art training. He has been involved in exhibitions since 2015. His works have been exhibited in many places: Viidakossa tarkkaillaan <\/em>[Watching in the jungle<\/em>], Art Centre Into\u2019s joint exhibition; Galleria Art Kaarisilta, Helsinki (2018); Art Centre Into\u2019s 10th-anniversary exhibition (2019); Generation 2020 at Amos Rex (2020); Pimeyden tyyssija <\/em>[Sanctum of darkness<\/em>] on the island of \u00d6r\u00f6 (2021\u20132022). Viljo’s works have also been exhibited in the B-gallery (Turku, 2021), at Kaarisilta Biennale<\/em> (Lahti, 2021) and at the Art Kaarisilta exhibition at the Saari Residence for artists (Helsinki, 2023).<\/p>\n

Gallery Into<\/strong><\/p>\n

The mission of Gallery Into is to showcase outsider art!<\/p>\n

The gallery is a collaboration project between The Art center Into association and Aboa Vetus Ars Nova Museum. The project will run from April 2023 until January 2024. It will include five solo exhibitions in the museum\u2019s second-floor gallery, by artists working at The Art center Into. The exhibition concept has been named Gallery Into, which translates into \u201cGallery Enthusiasm\u201d.<\/p>\n

Art center Into<\/strong><\/p>\n

The Art center Into provides art activities and visual arts education for people with special needs. Founded in 2009, the center is in Pompo, Turku. Into offers regular art classes and courses and hosts several artist studios and public community art projects.<\/p>\n

The Art center Into lives up to its name: it is a vibrant community that operates freely and professionally. The activities are guided by a view of art that allows everyone to be seen and heard in their own way.<\/p>\n

\u201cIt means a lot. Really a lot. How should I describe it\u2026 Really very much. It\u2019s everything.\u201d<\/em><\/p>\n

What does art mean to you? \u2013Viljo Pertola-<\/p>\n

Aboa Vetus Ars Nova<\/strong><\/p>\n

Cooperation with the museum was initiated by The Art center Into. Art tutors and long-time Into activists Eija Ruoho<\/strong> and Sinikka M\u00e4ki-Lertola<\/strong> invited museum curator Niina Tanskanen<\/strong> to visit the center, which quickly led to the idea of exhibition cooperation.<\/p>\n

The two parties share a desire to do something different. For the museum, it is a great honor to provide the venue for the exhibitions that Into has been working on for years. Cooperation with Into also aims to make outsider art part of the wider art field. But the best thing about the collaboration is the exhibitions themselves: these five artists\u2019 works are truly worth experiencing!<\/p>\n

Gallery Into exhibitions<\/strong><\/p>\n

28.4.\u20137.6.2023 Miira Kangas<\/p>\n

16.6.\u201326.7.2023 Tiina Elina Nurminen<\/p>\n

4.8.\u2013 17.9.2023 Daniel Hahta<\/p>\n

29.9.\u2013 19.11.2023 Miia Ruohonen<\/p>\n

8.12.2023\u2013 14.1.2024 Viljo Pertola<\/p>\n

 <\/p>\n

More information:<\/strong><\/p>\n

Niina Tanskanen
\ncurator
\nniina.tanskanen@avan.fi<\/a>
\n040\u00a0585 4499<\/p>\n

Taidekeskus Into
\nEija Ruoho
\n044\u00a0070 1544
\ntaidekeskusinto@gmail.com<\/a>
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